Gary Ngan Ka Chun, violinist and conductor, has performed concerts and recitals extensively in over 70 cities across 5 continents (Asia, Africa, Europe, the North and South Americas) on violins of both modern and historical setup. A distinguished graduate of Yale University and Eastman School of Music, Ngan also studied baroque violin and chamber music at the Hochschule für Musik, Theater und Medien Hannover. He is the First Prize winner at the Eastman Concerto Competition, Montserrat Competition, Vinaròs International Chamber Music Competition in Spain, and holds a Fellowship Diploma from Trinity College, London. 

Ngan has appeared with the Asian Youth Orchestra, the Conservatory Project (Kennedy Center) and the New York String Orchestra Seminar (Carnegie Hall), as well as international music festivals such as the Great Mountains (South Korea), Music Master Course (Japan), Norfolk, Northern Lights and Oregon Bach. Besides being the Concertmaster of the Eastman Philharmonia (2007-2009) and the National Orchestral Institute (2006), Ngan has also served as Leader of the Britten-Pears Baroque Orchestra (2018) in the UK, Assistant Concertmaster of the Berwick Academy period orchestra (2016) and Concertmaster of Junges Stuttgarter Bach Ensemble under Internationale Bachakademie Stuttgart found by Helmuth Rilling, touring with them to Chile, Germany, Italy and Tunisia (2012-2014). Recently, Ngan is involved in the unprecedented T19CHIP Research and album recording at the University of Oxford alongside specialists in the field of Historical Performance around the world.

Named a Britten-Pears Young Artist in 2018 and Fellow at the Music Academy of the West in 2008, Ngan was also appointed as Honorary Artist-in-Residence at the Education University of Hong Kong since 2017, Visiting Artist at the City University of Hong Kong (2019-20) and Resident Artist (in Orchestral Direction) at SingFest. Having served nine seasons as the Associate Concertmaster of the City Chamber Orchestra of Hong Kong (2010-2019) and occasionally as their Acting Leader, director and soloist, Ngan taught baroque violin at the University of Hong Kong (2016-2018) and is currently on the faculty of the Hong Kong Baptist University.
 

Karen Yeung is the founder and artistic director of Concerto da Camera, an active professional chamber music ensemble in Hong Kong since 2004, and a co-founder of the Hong Kong Bassoon Academy, a school offering quality music education since 2010. Under her leadership and vision, Concerto da Camera offers unique, innovative chamber music programs which promote public interest in classical music. Yeung graduated from the Hong Kong Academy for Performing Arts in 2001. 
 
She continued her studies on the modern bassoon at the Conservatorium van Amsterdam under Mr. Ronald Karten, Principal Bassoon of the Royal Concertgebouw Orchestra, and on the baroque bassoon and early music performance studies under Ms. Donna Agrell, bassoonist of The Orchestra of the Eighteenth Century. She has participated in masterclasses given by renowned coaches and historical bassoonists, including Paolo Grazzi and Alberto Grazzi of Ensemble Zefiro (Italy), and Dominic Teresi of Tafelmusik (Canada).
 

Dr. Sonia Lee has given performances, talks, and masterclasses in nearly 150 cities on four continents. Her performances have been praised by critics as "nicely rendered" (Early Music America Magazine) and possessing "grace and flair" (Sounding Board, UK). She is a laureate of the Mae & Irving Jurow International Harpsichord Competition and the Montréal Baroque Galaxie-CBC Rising Star Competition. A performer on the modern piano and various historical keyboards, she has appeared as a soloist and collaborative artist at numerous festivals and venues, including the early music festivals of Utrecht, Boston and Costa Rica, Nordic Historical Keyboard Festival, Early Keyboard Music Cycle of Buenos Aires, Milwaukee Museum of the Pianoforte, Handel House Museum of London, and the Schubert Club. Her discography includes premiere recordings of rediscovered music of Bembo, Weigl, Kozeluch, and Berg on Mark Records, Arabesque, and other labels. A sought-after adjudicator, she was a member of the jury of the 2019 17th Gianni Gambi International Harpsichord Competition, 2018 Calgary Performing Arts Festival Piano Competitions, and the 2015 Aliénor International Harpsichord Composition Competition. Lee holds degrees in music from the Chinese University of Hong Kong, McGill University, and the University of Illinois at Urbana-Champaign, with additional study in public leadership at the Harvard Kennedy School. She is editor of the peer-reviewed Early Keyboard Journal. Visit www.sonialeemusic.com.

Born in Hong Kong, Kenneth Yeung is a versatile keyboardist and string player. He has been in frequent demand locally and internationally in solo, chamber, continuo and improvisational performances. He is the harpsichord finalist of the 31st International Competition of Early Music, Yamanashi, Japan (2018). He presented recitals in the eighth conference of Historical Keyboard Society of North America at Sam Houston State University School of Music and in the second International Conference on Performance and Creativity: Historical Keyboard Music 1700-1850 at Hong Kong Baptist University. He participated such summer festivals as Berwick Academy of Oregon Bach Festival (U.S.) and Smarano Organ Academy (Italy). 
 
Yeung has worked and performed with John Butt, Elizabeth Blumenstock, Bojan Čičić, Bruce Dickey, Jeffrey Thomas, Matthias Maute, Julie Andrijeski, Scott Metcalfe and Cléa Galhano. He participated masterclasses and received private instructions from Pierre Hantaï, Arthur Haas, Christophe Rousset, Mitzi Meyerson, Enrico Baiano, Costantino Mastroprimiano, Edoardo Bellotti, etc. He is also a recipient of major scholarships, notably Irving & Lena Lo Fellowship, International Enhancement Grant and Mary Coffman Tilton Harpsichord Fellowship. 
 
Yeung received Bachelor of Arts (Music) from The Chinese University of Hong Kong with First Class Honours, majoring in modern cello. He continued to receive his Master of Music in Historical Performance at Oberlin College. He studied harpsichord with Mark Edwards and Webb Wiggins, fortepiano and clavichord with David Breitman, organ with James Christie, and viola da gamba and baroque cello with Catharina Meints. 
 
Currently, Yeung is a doctoral candidate with Distinction in Early Music Performance on historical keyboards under the tutelage of Elisabeth Wright at the Jacobs School of Music, Indiana University. He also studied viola da gamba with Joanna Blendulf and was formerly an Associate Instructor of early keyboards in the Historical Performance Institute. As a scholar, Yeung’s current research explores musical directing practices in France and German-speaking countries from 1500 to 1800. He directed an all-François-Couperin-chamber-music concert in homage of his 350thanniversary in 2018, a Christmas concert with works by Corrette, Charpentier and J.S. Bach in 2019, and Alessandro Scarlatti’s Italian oratorio La Santissima Trinità in 2019-20.
 

Born in Warsaw, Poland, Agnieszka Mazur began her musical education at the age of eight. She studied modern oboe with Marek Mleczko at Music Academy in Krakow (Poland) and with Thomas Indermühle at Hochschule für Musik in Karlsruhe (Germany). After completing her Master’s degrees with distinctions, she became interested in historical performance and started to study baroque and classical oboes with Frank de Bruine, first at the Music Academy in Bydgoszcz (Poland), and subsequently at the Koninklijk Conservatorium Den Haag (The Netherlands), and as well as with Paolo Grazzi at the Conservatorio di Verona (Italy). Besides baroque and classical oboes, she also plays recorders and renaissance double reed instruments. 

Mazur has made numerous recordings and has been invited to perform with many different ensembles and orchestras, including the Bach Orchestra and Choir of The Netherlands, La Tempesta, Trondheim Barokk, Royal Baroque Ensemble, Il Giardino d'Amore, Warsaw Chamber Opera, Wrocław Baroque Orchestra, Concerto Brandenburg, Capella dell'Ospedale della Pietà, Orchestra of the Eighteenth Century, Orchestra Nazionale dei Conservatori Italiani, ALTA, among others.  She has appeared in concert venues such as the Concertgebouw Amsterdam, Berliner Philharmonie, Walt Disney Concert Hall in Los Angeles, and Alice Tully Hall in New York. She has also performed in China. 

Mazur has been the principal oboe of Capella Regia Polona at the Polish Royal Opera in Warsaw since June 2019, and is currently pursuing postgraduate studies in culture management at the Warsaw School of Economics. 
 

Cellist and viol player Dr. Ka-Wai Yu is Assistant Professor of Music at Dixie State University, where he teaches cello and directs the string chamber music program. Originally from Hong Kong, he has performed as a soloist and chamber musician at many major concert halls in Canada, China, Japan, Singapore, South Korea, Taiwan and the United States, and is currently the Principal Cellist of Southwest Symphony Orchestra. His recent engagements include solo concerto appearances with Chamber Orchestra Kremlin, Jacksonville Illinois Symphony Orchestra, and Hong Kong Chamber Orchestra. A recipient of scholarships from Early Music America and the Viola da Gamba Society of America, Dr. Yu has performed with such period-instrument ensembles Cosmopolitan Baroque, La Réunion Musicale, Concentus, and the Viol Consort of Champaign-Urbana, and has performed at the American Bach Soloists Academy, Early Music Vancouver, and the Boston Early Music Festival Fringe. Dr. Yu holds a D.M.A. in Cello Performance and Literature from the University of Illinois at Urbana-Champaign, and undergraduate and graduate degrees from the Chinese University of Hong Kong and Indiana University's Jacobs School of Music. He has studied with baroque cellist Jaap ter Linden and viola da gambist Wendy Gillespie.  He has also worked with Tanya Tomkins, Elisabeth Reed, Robert Mealy, Wilbert Hazelzet, and Sandra Miller, among others. Visit www.yukawai.com.

Jennifer has performed as a soloist, chamber musician, and orchestral player in many countries across the U.K., Continental Europe, and Asia. Notable past venues and festivals include deSingel (Antwerp), the Athénée Théâtre Louis-Jouvet (Paris), St. Martin-in-the-Fields (London), Handel House (London), Open Recorder Days Amsterdam (fringe artist, 2017), and the Utrecht Early Music Festival Fringe (2016 and 2017). 

Tsang holds a Master’s of Music degree in recorder performance from the prestigious Guildhall School of Music and Drama in London, where she was awarded a Leverhulme Arts Scholarship and subsequently returned as an Artist Fellow after graduation.  She also holds a Bachelor of Music degree in Historical Performance Practice from the Utrechts Conservatorium in The Netherlands, where she majored in recorder performance and studied recorder methodology. Tsang seeks to promote the vast literature of recorder music, whether classical or contemporary, through performances and teaching.